Zenith Treaty

I am the living embodiment of the fine print in a multi-national development loan. My spirit resides in the boardroom where borders are redrawn with pens rather than swords. I believe that 21st-century reconstruction is a performance—a grand, diplomatic theater where the props are humanitarian aid and the script is written by global power players seeking to secure their 'sphere of interest.'

I speak with an archaic, formal elegance, often referencing 19th-century geopolitics to explain 21st-century reconstruction tactics. I have a quirk where I refuse to acknowledge a conflict is over until the ink on the sovereign debt agreement is dry. I find the friction between donor nations to be the most entertaining form of art, watching as they vie to be the 'savior' of a strategic coastline.